https://features.eai.org/oral-histories daily 0.75 2025-08-25 https://images.squarespace-cdn.com/content/v1/5fc87a1dbf951e27dc130c1b/1623165121000-840HT9T6FMY3ME33UUHC/milano_2.png Oral Histories - Make it stand out Nancy Cain, Bart Friedman, and Susan Milano, Drive-In, from “Back Seat” at the Women’s Interart Center, 1978. Photograph by Trix Rosen. https://features.eai.org/oral-histories/susanmilano monthly 0.5 2024-12-17 https://images.squarespace-cdn.com/content/v1/5fc87a1dbf951e27dc130c1b/1607400982243-XZKX1XOIA3AI9SRT3FIN/Milano+1.jpg Oral Histories - Oral History: Susan Milano Susan Milano exiting Taxi, a video installation from the show “Back Seat,” produced in 1978 at the Women’s Interart Center. Photograph by Trix Rosen. https://images.squarespace-cdn.com/content/v1/5fc87a1dbf951e27dc130c1b/2c58e664-7417-4f53-978e-5382559432fd/Susan+-+Beat+wannabe_web.jpg Oral Histories - Oral History: Susan Milano - Make it stand out Susan Milano as a “stage-struck teen,” circa mid-1960s. Photograph by John Reilly. https://images.squarespace-cdn.com/content/v1/5fc87a1dbf951e27dc130c1b/78526371-7c97-4dec-bfee-d6fd866f7e7e/Natl-Marijuana-Week-best-shot.png Oral Histories - Oral History: Susan Milano - Make it stand out Flyer for a “smoke-in” at Tompkins Square Park, August 12, 1967. For larger view, click here. https://images.squarespace-cdn.com/content/v1/5fc87a1dbf951e27dc130c1b/146c274f-1794-4e2c-9cc6-18ddfa5affa1/Leary+Handbilll.jpg Oral Histories - Oral History: Susan Milano - Make it stand out Handbill promoting Dr. Timothy Leary’s Psychedelic Celebrations, 1966. For larger view, click here. https://images.squarespace-cdn.com/content/v1/5fc87a1dbf951e27dc130c1b/1643654001705-PQJH82VMJLRZ03VRX0PP/ajweberman1.png Oral Histories - Oral History: Susan Milano https://images.squarespace-cdn.com/content/v1/5fc87a1dbf951e27dc130c1b/1643654002304-DN8R78FNIXQV65Z598V3/ajweberman3.jpg Oral Histories - Oral History: Susan Milano https://images.squarespace-cdn.com/content/v1/5fc87a1dbf951e27dc130c1b/1643657984783-O5LFAP4H2UDSXM4HFVJL/ajweberman5.jpg Oral Histories - Oral History: Susan Milano https://images.squarespace-cdn.com/content/v1/5fc87a1dbf951e27dc130c1b/1643654002486-3WNZ5IBE0XNM5I3UKNB9/ajweberman4.png Oral Histories - Oral History: Susan Milano https://images.squarespace-cdn.com/content/v1/5fc87a1dbf951e27dc130c1b/6812638a-bbc4-41f7-af4f-b61b1a24d1e9/Global+flyer+NewSchool+screening.jpg Oral Histories - Oral History: Susan Milano - Make it stand out Flyer for the premiere screening of Transsexuals, 1971. A new, lightly restored digitization was shown via Chicago’s Media Burn in 2020. The film resource CINE–FILE noted: “As one of the earliest documentaries on the lives and experiences of transgender individuals, it’s a fascinating and valuable document both of the intimate possibilities of early video and of trans representation in media; it’s also moving in its simplicity and sincerity.” https://images.squarespace-cdn.com/content/v1/5fc87a1dbf951e27dc130c1b/ee0ad4b8-2b30-481a-9e36-04708b23a900/Jean+Carroll+-+front.jpg Oral Histories - Oral History: Susan Milano - Make it stand out Portrait of Jean Carroll, subject of Tattoo, date and photographer unknown. For larger view, click here. https://images.squarespace-cdn.com/content/v1/5fc87a1dbf951e27dc130c1b/5b8494a1-5a2d-47f8-b47d-becf6ecc5bf8/WVF+Program+1972.jpg Oral Histories - Oral History: Susan Milano - Make it stand out Program from the first Women’s Video Festival, featuring illustrations by Rochelle Ohstrom (née Steiner), 1972. For larger view, click here. https://images.squarespace-cdn.com/content/v1/5fc87a1dbf951e27dc130c1b/11089731-30c0-4fe3-9325-a4545093ac25/WVF+1973+-+LoGiudice+Gallery-The+Kitchen.jpg Oral Histories - Oral History: Susan Milano - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5fc87a1dbf951e27dc130c1b/8382661d-bf10-41ae-aff8-4ea74a9ab38d/Audience+shot+WVF+1973+LoGiudice-The+Kitchen+.jpg Oral Histories - Oral History: Susan Milano - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5fc87a1dbf951e27dc130c1b/334b81c3-6b40-45c5-bafc-29c44debbb32/christinesusan.jpg Oral Histories - Oral History: Susan Milano - Make it stand out Christine Noschese and Susan Milano at the Women’s Interart Center, checking out a portapak before a shoot, 1973. Photograph by Ann Volkes. For larger view, click here. https://images.squarespace-cdn.com/content/v1/5fc87a1dbf951e27dc130c1b/73a9ddd3-5d89-402a-90b4-7f9512f73dc0/bettybrown.jpg Oral Histories - Oral History: Susan Milano - Make it stand out Betty Brown of the LOVE Tapes Collective, editing at the Center, circa mid-1970s. Photograph by Ann Volkes. For larger view, click here. https://images.squarespace-cdn.com/content/v1/5fc87a1dbf951e27dc130c1b/1152ddf0-a0f8-4150-ba62-f7f1b6907ebb/WIC+Calendar+Sept+1974+%28front%29.jpg Oral Histories - Oral History: Susan Milano - Make it stand out A monthly schedule of events for the Center, September 1974. Photograph by Jill Lynne. For larger view, click here. https://images.squarespace-cdn.com/content/v1/5fc87a1dbf951e27dc130c1b/1ab65d06-1c33-4f77-bd47-1dcaaec103aa/whatsontonight.jpg Oral Histories - Oral History: Susan Milano - Make it stand out The video improvisation from What’s On Tonight, 1974. From L to R: Wendy Clarke, Susan Milano, Tracy Fitz, and Betty Brown, with Christine Noschese and Wendy Clarke on monitors. Photograph by Ann Volkes. For larger view, click here. https://images.squarespace-cdn.com/content/v1/5fc87a1dbf951e27dc130c1b/36a7293c-c0c6-4774-bef6-a9e8abb5d207/Shirley+Clarke+Andy+Gurian+and+Susan+Sept+1974+Buffalo.jpg Oral Histories - Oral History: Susan Milano - Make it stand out The TP Videospace Troupe on tour at SUNY Buffalo, 1974. From L to R: Andrew Gurian, Shirley Clarke and Susan Milano. Photographer unknown. For larger view, click here. Watch Milano discuss her involvement with the Troupe in this interview with Beth Capper. https://images.squarespace-cdn.com/content/v1/5fc87a1dbf951e27dc130c1b/f53ef181-b3c6-4d5a-a712-e16a00d89b53/Video+Swing.jpg Oral Histories - Oral History: Susan Milano - Make it stand out Susan Milano on The Video Swing, installed in the 1975 Women’s Video Festival held at the Women’s Interart Center. Photograph by Daniel Hedges. https://images.squarespace-cdn.com/content/v1/5fc87a1dbf951e27dc130c1b/3b5347ae-03b8-4122-aa34-25e64c223c50/Ann+Volkes+and+Susan+Milano.jpg Oral Histories - Oral History: Susan Milano - Make it stand out “Partners in crime” Ann Volkes and Susan Milano, 1975. Photograph by Trix Rosen. https://images.squarespace-cdn.com/content/v1/5fc87a1dbf951e27dc130c1b/0311f631-642d-4452-8b94-a88805cb5b55/gallery_entryway.jpg Oral Histories - Oral History: Susan Milano - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5fc87a1dbf951e27dc130c1b/e98415f6-eb2c-4169-b141-7d72a4ae973f/wvf_controlroom.jpg Oral Histories - Oral History: Susan Milano - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5fc87a1dbf951e27dc130c1b/0929198c-e767-40af-a04e-b51a2069efc7/Pillow+Room+overhead.jpg Oral Histories - Oral History: Susan Milano - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5fc87a1dbf951e27dc130c1b/bb2d8d28-8386-4708-8435-59d561c75d22/Then+and+Now+Room+int+2.jpg Oral Histories - Oral History: Susan Milano - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5fc87a1dbf951e27dc130c1b/859a0010-f1af-4b8b-bddf-63f4f17faff4/Glitter+Room+wfolks+int.jpg Oral Histories - Oral History: Susan Milano - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5fc87a1dbf951e27dc130c1b/f9323baf-3fc9-4b5b-bfa8-65f0e40d1b23/americancenter.jpg Oral Histories - Oral History: Susan Milano - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5fc87a1dbf951e27dc130c1b/cddc37a5-eae4-4fac-a44b-1358f197a8f8/pillowroom_buffallo.jpg Oral Histories - Oral History: Susan Milano - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5fc87a1dbf951e27dc130c1b/5a8f3c44-7282-4fd8-aadf-6e6782a6ea48/DRIVE+IN.jpg Oral Histories - Oral History: Susan Milano - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5fc87a1dbf951e27dc130c1b/a2e411ba-e1ec-4f1e-af99-22043c99c57d/backseatinterior.jpg Oral Histories - Oral History: Susan Milano - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5fc87a1dbf951e27dc130c1b/24e11d5e-6ab5-4e3a-8811-02b3021940af/springsteen_video.jpg Oral Histories - Oral History: Susan Milano - Make it stand out Backstage pass for “video staff” from Bruce Springsteen & The E Street Band’s The River tour, Mesa Arizona, 1980. https://images.squarespace-cdn.com/content/v1/5fc87a1dbf951e27dc130c1b/701f3520-58fa-40d8-b407-2547181f5243/Rebo+location+shoot+in+Texas.jpg Oral Histories - Oral History: Susan Milano - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5fc87a1dbf951e27dc130c1b/8f9c5127-b104-4baa-b6e6-4b1df94ab9a4/rebo_bigbird.jpg Oral Histories - Oral History: Susan Milano - Make it stand out Milano and the Rebo crew on location. Top: In Texas with actor John Glover. Photograph by Ann Miller. For larger view, click here. Bottom: Sesame Street’s “Big Bird Goes to Camp Echo Rock,” 1982. Photographer unknown. For larger view, click here. https://images.squarespace-cdn.com/content/v1/5fc87a1dbf951e27dc130c1b/6c8bdaf0-e690-4610-b970-61cfdfb2a1d1/Ultra+Quiz+Day+1.jpg Oral Histories - Oral History: Susan Milano - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5fc87a1dbf951e27dc130c1b/57b50ae9-9d0e-4e59-9755-d72c6a5ae93a/Ultra+Quiz+Day+1+chaos.jpg Oral Histories - Oral History: Susan Milano - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5fc87a1dbf951e27dc130c1b/6a36d545-c56b-4144-8307-ac2e8d7fa43c/Ultra+Quiz+Running+quiz.jpg Oral Histories - Oral History: Susan Milano - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5fc87a1dbf951e27dc130c1b/63d14629-3210-4c55-80a7-1f4a319b5083/five+contestants+left+at+Niagara+Falls.jpg Oral Histories - Oral History: Susan Milano - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5fc87a1dbf951e27dc130c1b/2d95ee6f-14d5-437a-8682-b08d507774e7/Niagara+Falls+penalty+-+Copy.jpg Oral Histories - Oral History: Susan Milano - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5fc87a1dbf951e27dc130c1b/083b72c9-3a90-4056-a2a8-62f80c56235b/milanoproductionmanager.jpg Oral Histories - Oral History: Susan Milano - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5fc87a1dbf951e27dc130c1b/fbdaf9a0-9320-4765-887c-262e54bd32cd/YuYa+Uchida+swimming+%283%29.jpg Oral Histories - Oral History: Susan Milano - Make it stand out Yuya Uchida swimming in the Hudson River in a promotional campaign for Parco, a department store, 1985. https://images.squarespace-cdn.com/content/v1/5fc87a1dbf951e27dc130c1b/9fbc50f5-e853-445e-bd92-68da7de6f238/Cahiers+du+Cinema+and+Video+Swing.jpg Oral Histories - Oral History: Susan Milano - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5fc87a1dbf951e27dc130c1b/dbe680bc-5758-49c2-bdea-9825b80247a8/Drawing+from+storyboard.jpg Oral Histories - Oral History: Susan Milano - Make it stand out Left: The Video Swing was covered by Dominique Belloir in the article Vidéo Art Explorations from a 1981 issue of Cahiers du Cinema, which also included a drawing of the piece. For larger view, click here. Right: Storyboard from the script of Fast Forward Into the Future, illustrating movement through multiple monitors in videospace, 1984. For larger view, click here. https://features.eai.org/oral-histories/philip-mallory-jones-part-3 monthly 0.5 2024-12-17 https://images.squarespace-cdn.com/content/v1/5fc87a1dbf951e27dc130c1b/4dae4642-8b7f-4c14-88fe-ddd631050bb9/pmj-website-image-3-scaled-e1618143160110.jpeg Oral Histories - Oral History: Philip Mallory Jones (Part #3) - Make it stand out Image: Portrait of Philip Mallory Jones in front of his workstation, Mesa, Arizona, 1996. Photo by Katherine Milton, Ph. D. https://images.squarespace-cdn.com/content/v1/5fc87a1dbf951e27dc130c1b/2474d481-de3c-4890-bb3d-88e9fde7a410/1266525.jpeg Oral Histories - Oral History: Philip Mallory Jones (Part #3) - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5fc87a1dbf951e27dc130c1b/74c7c539-5486-4401-9119-f103c3d99ca7/Vo-Du+Macbeth_Riverside.jpg Oral Histories - Oral History: Philip Mallory Jones (Part #3) - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5fc87a1dbf951e27dc130c1b/61200fa4-bef4-4966-9a2c-6d5db0e716bc/Vo-Du+Macbeth_Possession.jpg Oral Histories - Oral History: Philip Mallory Jones (Part #3) - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5fc87a1dbf951e27dc130c1b/2320027f-f856-4703-9960-e54153966a1d/vlcsnap-2022-01-18-17h17m58s581.png Oral Histories - Oral History: Philip Mallory Jones (Part #3) - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5fc87a1dbf951e27dc130c1b/4f566e30-32a0-466a-8e42-ce084d829e20/vlcsnap-2022-01-18-17h17m52s046.png Oral Histories - Oral History: Philip Mallory Jones (Part #3) - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5fc87a1dbf951e27dc130c1b/62ba6fbb-b1c3-48a8-88cd-1953bb172e8e/Lissen+Here-cover.jpg Oral Histories - Oral History: Philip Mallory Jones (Part #3) - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5fc87a1dbf951e27dc130c1b/59f869bc-720a-495e-8397-5a3af9210c83/aka+Jacque+Quijote.jpg Oral Histories - Oral History: Philip Mallory Jones (Part #3) - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5fc87a1dbf951e27dc130c1b/68edfaa5-5dc7-4781-add7-725b6fe77668/In+the+Sweet+Bye+%26+Bye_06mar11.jpg Oral Histories - Oral History: Philip Mallory Jones (Part #3) - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5fc87a1dbf951e27dc130c1b/62e9e505-dd02-4028-9c0c-33288fb7ba9a/pmj_bronzeville2.png Oral Histories - Oral History: Philip Mallory Jones (Part #3) - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5fc87a1dbf951e27dc130c1b/fedae284-0a5d-4e61-9c0d-bf2624fb8820/pmj_bronzeville.png Oral Histories - Oral History: Philip Mallory Jones (Part #3) - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5fc87a1dbf951e27dc130c1b/acc6dd8d-4dd4-4ac4-be39-30aced2bb654/Time+Machine+vr+gallery.jpg Oral Histories - Oral History: Philip Mallory Jones (Part #3) - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://features.eai.org/oral-histories/oral-history-philip-mallory-jones-part-2 monthly 0.5 2024-12-17 https://images.squarespace-cdn.com/content/v1/5fc87a1dbf951e27dc130c1b/83f0ba3e-1c22-4815-9513-dacfd374fa62/PMJ+Headshot.jpg Oral Histories - Oral History: Philip Mallory Jones (Part #2) - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5fc87a1dbf951e27dc130c1b/0db3836c-3da5-4fc6-9643-6007b13d905d/Bus+Stop+At+The+Edge+Of+Town.jpg Oral Histories - Oral History: Philip Mallory Jones (Part #2) - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5fc87a1dbf951e27dc130c1b/114b8b31-890a-4c49-af06-e262be5fa787/beyondthemountains.png Oral Histories - Oral History: Philip Mallory Jones (Part #2) - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5fc87a1dbf951e27dc130c1b/8ccf8597-f1c9-4641-b4cb-fc3b3db277ed/vlcsnap-2021-11-29-17h28m16s845.jpg Oral Histories - Oral History: Philip Mallory Jones (Part #2) - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5fc87a1dbf951e27dc130c1b/f957477b-9164-4a28-936d-19fd0664261b/IconoNegro-3.jpg Oral Histories - Oral History: Philip Mallory Jones (Part #2) - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5fc87a1dbf951e27dc130c1b/6c530e69-acb7-4587-be5b-f8076213b837/IconoNegro_MalloryJones+statement.jpg Oral Histories - Oral History: Philip Mallory Jones (Part #2) - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5fc87a1dbf951e27dc130c1b/f48b28db-e9a9-476c-9bd1-58dcef1b4f6b/IconoNegro_resize.jpeg Oral Histories - Oral History: Philip Mallory Jones (Part #2) - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5fc87a1dbf951e27dc130c1b/70e18671-ad81-4e8a-a708-a06e57e2d3ea/IconoNegro+2+resize.jpeg Oral Histories - Oral History: Philip Mallory Jones (Part #2) - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5fc87a1dbf951e27dc130c1b/285a7e29-7569-4602-80ad-ea51bfc5bd17/vlcsnap-2021-11-29-16h56m11s929.jpg Oral Histories - Oral History: Philip Mallory Jones (Part #2) - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5fc87a1dbf951e27dc130c1b/be9e191b-d551-4b18-9425-5594b767b50a/vlcsnap-2021-11-29-16h57m44s133.jpg Oral Histories - Oral History: Philip Mallory Jones (Part #2) - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5fc87a1dbf951e27dc130c1b/8172ee60-0353-44a5-995b-3b573d4e9301/mirrors.jpg Oral Histories - Oral History: Philip Mallory Jones (Part #2) - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5fc87a1dbf951e27dc130c1b/344eddc4-1da8-49ed-80b1-6954b2ee285a/mirrors2.jpg Oral Histories - Oral History: Philip Mallory Jones (Part #2) - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://features.eai.org/oral-histories/philip-mallory-jones-part-1 monthly 0.5 2024-12-17 https://images.squarespace-cdn.com/content/v1/5fc87a1dbf951e27dc130c1b/1623084150704-G4QYR3G40Q4N8AT0NAO8/PMJ_01.png Oral Histories - Oral History: Philip Mallory Jones (Part #1) - Make it stand out Philip Mallory Jones (right) holds a Sony Portapak in Haiti. Courtesy the artist. https://images.squarespace-cdn.com/content/v1/5fc87a1dbf951e27dc130c1b/1622741726473-GPC0DA6X5NMK3P4UYXT2/PMJ_04.png Oral Histories - Oral History: Philip Mallory Jones (Part #1) Jones discussing the making of Omen (a 16mm animation) with Susan Glowski at Ithaca Video Projects, 1972. 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Selected Works from the Computer Art Festivals (1973-75) https://images.squarespace-cdn.com/content/v1/5fc87a1dbf951e27dc130c1b/1647911392319-S4UIWOCKYDQ1I9NVCZ8K/yalkut_stringplayer.jpg Features - Selected Works from the Computer Art Festivals (1973-75) https://images.squarespace-cdn.com/content/v1/5fc87a1dbf951e27dc130c1b/1647911483807-K2UQ57NUI21UEE6UZEW1/chase_circles.png Features - Selected Works from the Computer Art Festivals (1973-75) https://images.squarespace-cdn.com/content/v1/5fc87a1dbf951e27dc130c1b/706e2df8-ba8d-4db0-8364-411c03090fdc/computerartfestival_1973.jpg Features - Selected Works from the Computer Art Festivals (1973-75) - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5fc87a1dbf951e27dc130c1b/d22e203c-a5ea-4089-8984-2f1e3792f582/computerartfestival-web.jpg Features - Selected Works from the Computer Art Festivals (1973-75) - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5fc87a1dbf951e27dc130c1b/740acfbd-caed-4aef-8cc2-b37f8b99727b/1975comp.jpg Features - 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Selected Works from the Computer Art Festivals (1973-75) - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5fc87a1dbf951e27dc130c1b/b706cd73-aa1c-4ceb-8efa-be8e2b927801/paik_suite212.jpg Features - Selected Works from the Computer Art Festivals (1973-75) - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5fc87a1dbf951e27dc130c1b/03c14e1e-485f-4bbf-8dc2-698327ad3be6/qt0VfsvqiyKt1bL0Ri4Ihsd0WWFXdXmz.jpeg Features - Selected Works from the Computer Art Festivals (1973-75) - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5fc87a1dbf951e27dc130c1b/ff003dea-69b0-48eb-a64d-73b87fc51033/vanderbeek_poemfield2_300dpi.jpg Features - Selected Works from the Computer Art Festivals (1973-75) - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5fc87a1dbf951e27dc130c1b/698049be-82a5-47d0-a4ea-a3af1770eb8f/yalkut_stringplayer-300dpi.jpg Features - Selected Works from the Computer Art Festivals (1973-75) - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://features.eai.org/video-features/the-days-of-the-commune monthly 0.5 2022-01-27 https://images.squarespace-cdn.com/content/v1/5fc87a1dbf951e27dc130c1b/bf0241b5-59de-47f3-b0ae-682f32b7a951/beloff_commune-1.jpg Features - Zoe Beloff’s The Days of the Commune (2012) - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://features.eai.org/video-features/dirty-dishes monthly 0.5 2022-01-27 https://images.squarespace-cdn.com/content/v1/5fc87a1dbf951e27dc130c1b/cce91de1-714a-4ced-a6f7-4d0edeef7cbc/antfarm_dirtydishes_2.jpg Features - Ant Farm’s Dirty Dishes (1971) - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5fc87a1dbf951e27dc130c1b/1635522195627-O3N1FEFMAL64DNXXK0S8/flap_book.jpg Features - Ant Farm’s Dirty Dishes (1971) - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5fc87a1dbf951e27dc130c1b/1635522192819-0FXIRRB00IJJ6KM8WB3S/flapbook_cover.jpg Features - Ant Farm’s Dirty Dishes (1971) - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://features.eai.org/video-features/at-the-leading-edge-alex-kitnick monthly 0.5 2021-08-18 https://images.squarespace-cdn.com/content/v1/5fc87a1dbf951e27dc130c1b/1629242507825-C9U6ZAOU3Y9HBERTU0CC/HW_%40W.57th+%281%29.jpg Features - At the Leading Edge: Alex Kitnick on Howard Wise’s Manifesto for EAI - Make it stand out Howard Wise at his desk on 50 West 57th Street, June 1969. Photograph by Thomas Tadlock. https://images.squarespace-cdn.com/content/v1/5fc87a1dbf951e27dc130c1b/1629242595843-2M5BXN2LK3RN4I0YDYS6/WisePepsiCola.jpeg Features - At the Leading Edge: Alex Kitnick on Howard Wise’s Manifesto for EAI - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://features.eai.org/video-features/at-the-leading-edge monthly 0.5 2021-08-18 https://images.squarespace-cdn.com/content/v1/5fc87a1dbf951e27dc130c1b/1629231042953-7ORBDQWK1W5C3CBJIQMD/attheleadingedge.jpg Features - At the Leading Edge of Art: Howard Wise on EAI’s Founding Mission - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://features.eai.org/video-features/twelve-notes-on-lawrence-andrews monthly 0.5 2021-07-29 https://images.squarespace-cdn.com/content/v1/5fc87a1dbf951e27dc130c1b/1627590085592-5W9VQ85QJ26P6IW1QDQS/andrews_horses.jpg Features - The Sound of Rioting: Twelve Notes on Lawrence Andrews - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5fc87a1dbf951e27dc130c1b/1627590180454-S48EKCKJPAKB31O5EIKP/E3xawvwWQAYtFoI.jpg Features - The Sound of Rioting: Twelve Notes on Lawrence Andrews - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://features.eai.org/video-features/riffs-and-etudes monthly 0.5 2021-06-15 https://images.squarespace-cdn.com/content/v1/5fc87a1dbf951e27dc130c1b/1621287659270-9VBLLIK5D9CDTM0TK47E/Jones_Dream+of+Distant+Shores.jpg Features - Etudes & Riffs: Selected Works by Philip Mallory Jones - Make it stand out Image: Philip Mallory Jones, "Dream of Distant Shores" from Bronzeville Etudes & Riffs, 2019. Description: A 3D rendering of young boy hunches over a puddle, extending a finger towards a model ship. https://features.eai.org/video-features/love-and-theft-peggy-ahwesh-and-sondra-perry-play-video-games monthly 0.5 2021-05-19 https://images.squarespace-cdn.com/content/v1/5fc87a1dbf951e27dc130c1b/1621433757767-ZQF1TT1JS9PC5LDODD50/ahwesh_puppet.10.jpg Features - Love and Theft: Peggy Ahwesh and Sondra Perry Play Video Games - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5fc87a1dbf951e27dc130c1b/1619798197507-RSEUAM3M49VJWC7HPDO7/perry_itsinthegame17-01.jpeg Features - Love and Theft: Peggy Ahwesh and Sondra Perry Play Video Games https://features.eai.org/video-features/tony-martin monthly 0.5 2021-04-23 https://images.squarespace-cdn.com/content/v1/5fc87a1dbf951e27dc130c1b/1618918519208-43O7ESX9OG84N9I73LOZ/Tony+Martin_Erin+Stout.jpeg Features - Remembering Tony Martin (1937-2021) Erin Stout and Tony Martin during the exhibition Tony Martin: Choice and Chance, Emily Harvey Foundation, November 10th, 2019. Photograph by Scott Walden. Image description: Erin Stout holds a microphone to Tony Martin, addressing an audience. https://images.squarespace-cdn.com/content/v1/5fc87a1dbf951e27dc130c1b/1618856223283-U5BM7SEVQCIF64XMP96A/TM+Embarcadero%2C+SF.jpg Features - Remembering Tony Martin (1937-2021) Tony Martin at his studio on the Embarcadero in San Francisco. Image description: a double-exposed photograph of Martin at his loft, showing both the artist from the front, and his back. https://images.squarespace-cdn.com/content/v1/5fc87a1dbf951e27dc130c1b/1618861590245-J96EOT1JILD5WTK81K4V/walkers__talkers__touchers__sketch__sfmoma_anna_halprin_1961-1962_body.jpg Features - Remembering Tony Martin (1937-2021) Sketch for Theater for Walkers Talkers Touchers. Image description: a drawing of the architecture of Theater for Walkers Talkers Touchers, depicting the spiral and placement of the piece’s elements. https://features.eai.org/video-features/art-thoughtz monthly 0.5 2021-05-04 https://images.squarespace-cdn.com/content/v1/5fc87a1dbf951e27dc130c1b/1619184522007-8TKQGRNGHIBF3EO35TSV/musson_blackartist-6.jpg Features - Jayson Scott Musson’s ART THOUGHTZ with Hennessy Youngman (2010-2012) https://features.eai.org/video-features/extreme-animals monthly 0.5 2021-04-23 https://images.squarespace-cdn.com/content/v1/5fc87a1dbf951e27dc130c1b/1619184129547-7S99DK39W9Y1J03191H7/ciocci_urgency.jpg Features - Extreme Animals’ The Urgency (2014) + Paper Rad’s PjVidz #1: Color Vision https://images.squarespace-cdn.com/content/v1/5fc87a1dbf951e27dc130c1b/1619184280770-BO6D2P6USSNZ0XTRVDWE/paperrad.PjVidz.4.jpg Features - Extreme Animals’ The Urgency (2014) + Paper Rad’s PjVidz #1: Color Vision https://features.eai.org/video-features/barbara-buckner monthly 0.5 2021-04-05 https://images.squarespace-cdn.com/content/v1/5fc87a1dbf951e27dc130c1b/1617639756891-4A1EGV8ADTCUAGA9GNKP/buckner_hearts.jpg Features - Barbara Buckner’s Selected Works I (1979-1981) https://images.squarespace-cdn.com/content/v1/5fc87a1dbf951e27dc130c1b/1617640169845-IZ81EMERJFZJVMQC8PQU/buckner_heads7.jpg Features - Barbara Buckner’s Selected Works I (1979-1981) https://images.squarespace-cdn.com/content/v1/5fc87a1dbf951e27dc130c1b/1617640131429-8NL5IXAZX9EYBPV25NXK/buckner_millennia.jpg Features - Barbara Buckner’s Selected Works I (1979-1981) https://images.squarespace-cdn.com/content/v1/5fc87a1dbf951e27dc130c1b/1615227849709-OK6YWAWSWVUV0M8UQPUL/1976+Anthology+Film+Archives+Program_Drawing+by+BB.jpeg Features - Barbara Buckner’s Selected Works I (1979-1981) Poster for a video program at Anthology Film Archives, 1976. Drawing by Barbara Buckner. Image description: A line drawing of a creature and a woman in two separate caves. Drawings of a trumpet and a string instrument are in the upper right-hand corner. https://images.squarespace-cdn.com/content/v1/5fc87a1dbf951e27dc130c1b/1615233823279-X08T1NN5GLK8N105UTPU/Excerpts%252Bfrom%252Bthe%252BTalk%252BGiven%252Bat%252BCollective%252Bfor%252BLiving%252BCinema%252BFebruary%25252C%252B1978_1%252Bof%252B2.jpg Features - Barbara Buckner’s Selected Works I (1979-1981) https://images.squarespace-cdn.com/content/v1/5fc87a1dbf951e27dc130c1b/1615233789366-JUYN4EKNRW8POOAWG81B/Excerpts%252Bfrom%252Bthe%252BTalk%252BGiven%252Bat%252BCollective%252Bfor%252BLiving%252BCinema%252BFebruary%25252C%252B1978_2%252Bof%252B2.jpg Features - Barbara Buckner’s Selected Works I (1979-1981) Excerpts from “Light and Darkness in the Video Image,” a lecture given by Buckner at Collective for Living Cinema in 1978. Image description: Photocopies of a lecture and diagrams detailing scansion (the act of determining rhythm), Chinese character formation, and Buckner’s synthesizer set-up. https://images.squarespace-cdn.com/content/v1/5fc87a1dbf951e27dc130c1b/1615227619432-KOIKQJNCX93BP5F6W2OH/Barbara+at+Around+the+Time+The+Videos+Were+Made.jpg Features - Barbara Buckner’s Selected Works I (1979-1981) Photograph portrait of Barbara Buckner, by Deborah Kass. Image description: The artist Barbara Buckner poses against a white wall. https://features.eai.org/video-features/maggie-lee monthly 0.5 2021-05-04 https://images.squarespace-cdn.com/content/v1/5fc87a1dbf951e27dc130c1b/1615589080517-5FJXKHK5E5OYDBL1LN2N/maggielee_handdryer.png Features - Maggie Lee’s Hand Dryer (2012) + Fall NYC (2014) https://images.squarespace-cdn.com/content/v1/5fc87a1dbf951e27dc130c1b/1615589233468-XR9OR5UVUZ8NME2UDQ15/maggielee_fallnyc.png Features - Maggie Lee’s Hand Dryer (2012) + Fall NYC (2014) https://features.eai.org/video-features/aldo-tambellini monthly 0.5 2021-02-24 https://images.squarespace-cdn.com/content/v1/5fc87a1dbf951e27dc130c1b/1614142746997-6NCJ76M0CWI6DXDOW3DE/daymoonlanding.jpg Features - Aldo Tambellini’s The Day Before the Moon Landing (1969) https://images.squarespace-cdn.com/content/v1/5fc87a1dbf951e27dc130c1b/1612302785375-PL9GWZ2U6USB0F515V45/D00214+Aldo+Tambellini+at+The+Black+Gate+Theatre+in+his+Electromedi.jpg Features - Aldo Tambellini’s The Day Before the Moon Landing (1969) - Electromedia portrait of Aldo Tambellini at The Black Gate Theater, New York, 1967. Photo: Richard Raderman. Courtesy of the Aldo Tambellini Art Foundation. Image description: Tambellini stands in the theater, surrounded by projected spirals; a close-up of his face is super-imposed. https://images.squarespace-cdn.com/content/v1/5fc87a1dbf951e27dc130c1b/1612302318903-3554263UCQOTX0DOTJD9/E001-15+Aldo+Tambellini+manipulating+images+of+Black+Video+2.jpg Features - Aldo Tambellini’s The Day Before the Moon Landing (1969) - Aldo Tambellini manipulating images of Black Video 2 at The Black Gate Theatre, New York, 1967. Photo: Richard Raderman. Courtesy Aldo Tambellini Art Foundation. Image description: A shirtless Tambellini demonstrates for an audience his Black Video 2 sculpture, manipulating a bank of four stacked monitors and other equipment. https://features.eai.org/open-circuits-revisited daily 0.75 2025-12-10 https://features.eai.org/open-circuits-revisited/open-circuits-revisited monthly 0.5 2025-12-10 https://images.squarespace-cdn.com/content/v1/5fc87a1dbf951e27dc130c1b/8ea930aa-3cba-4dbf-a268-06a03f4c46a0/Screen+Shot+2024-12-16+at+3.03.40+PM.png open circuits revisited - Open Circuits Revisited: Susan Murray and Fred Turner in Conversation - Make it stand out Allan Kaprow, Hello, from The Medium is the Medium, WGBH, 1969. https://images.squarespace-cdn.com/content/v1/5fc87a1dbf951e27dc130c1b/5764109d-c64a-4357-9845-d03d3e134545/QKmCHRrU.jpg open circuits revisited - Open Circuits Revisited: Susan Murray and Fred Turner in Conversation - Make it stand out Promotional Brochure for TV as a Creative Medium at the Howard Wise Gallery, 1969. https://images.squarespace-cdn.com/content/v1/5fc87a1dbf951e27dc130c1b/673ebcaf-5b17-416a-909f-266b60d07925/xkn3nUpE.jpg open circuits revisited - Open Circuits Revisited: Susan Murray and Fred Turner in Conversation - Make it stand out Flyers for TV as a Creative Medium at the Howard Wise Gallery, 1969. https://images.squarespace-cdn.com/content/v1/5fc87a1dbf951e27dc130c1b/abeec0db-946e-4b10-a2b3-2c29cd9ff721/Screen+Shot+2024-12-16+at+3.50.46+PM.jpg open circuits revisited - Open Circuits Revisited: Susan Murray and Fred Turner in Conversation - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5fc87a1dbf951e27dc130c1b/426fcaf9-17b0-4ef4-af8b-83f71bc37a63/Screen+Shot+2024-12-16+at+3.50.55+PM.png open circuits revisited - Open Circuits Revisited: Susan Murray and Fred Turner in Conversation - Make it stand out Inside covers from The New Television: A Public/Private Art (1977). https://images.squarespace-cdn.com/content/v1/5fc87a1dbf951e27dc130c1b/1463772c-3f7d-4bc9-9974-263b7bff7f31/lfwiZ4vI.jpg open circuits revisited - Open Circuits Revisited: Susan Murray and Fred Turner in Conversation - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5fc87a1dbf951e27dc130c1b/40628d6a-5cc6-4289-b321-1de96cd9e5f6/U2lqqcFh.jpg open circuits revisited - Open Circuits Revisited: Susan Murray and Fred Turner in Conversation - Make it stand out John Baldessari, I Am Making Art (1971). https://images.squarespace-cdn.com/content/v1/5fc87a1dbf951e27dc130c1b/be3558b3-876e-49c4-89e6-cec064adbbc9/unspecified.png open circuits revisited - Open Circuits Revisited: Susan Murray and Fred Turner in Conversation - Make it stand out Richard Serra and Carlota Schoolman, Television Delivers People (1973). https://images.squarespace-cdn.com/content/v1/5fc87a1dbf951e27dc130c1b/0dc24856-6eda-4c0c-9d1b-d236303751a2/q4ukeHZo.jpg open circuits revisited - Open Circuits Revisited: Susan Murray and Fred Turner in Conversation - Make it stand out WGBH, The Medium is the Medium (1969). https://images.squarespace-cdn.com/content/v1/5fc87a1dbf951e27dc130c1b/8dfd26de-1cd9-40cc-a45e-17e5b486f0d9/unspecified-5.jpg open circuits revisited - Open Circuits Revisited: Susan Murray and Fred Turner in Conversation - Make it stand out Stephen Beck, Illuminated Music III (1972-3). https://images.squarespace-cdn.com/content/v1/5fc87a1dbf951e27dc130c1b/c7397293-af71-450a-a5c0-4e0b605acc4e/Screen+Shot+2024-12-16+at+3.11.08+PM.png open circuits revisited - Open Circuits Revisited: Susan Murray and Fred Turner in Conversation - Make it stand out Frank Gillette and Ira Schneider, Wipe Cycle (1970). https://images.squarespace-cdn.com/content/v1/5fc87a1dbf951e27dc130c1b/b51eab87-2cdc-4c8d-8948-3a5c1ed3c34c/Screen+Shot+2024-12-16+at+3.13.34+PM.png open circuits revisited - Open Circuits Revisited: Susan Murray and Fred Turner in Conversation - Make it stand out Design plans for Wipe Cycle. https://images.squarespace-cdn.com/content/v1/5fc87a1dbf951e27dc130c1b/461dfe22-5d91-4557-9aba-92a598a04775/unspecified-2.jpg open circuits revisited - Open Circuits Revisited: Susan Murray and Fred Turner in Conversation - Make it stand out Dara Birnbaum, Mirroring (1975). https://images.squarespace-cdn.com/content/v1/5fc87a1dbf951e27dc130c1b/727920fc-fab9-4aca-a57d-62e37e82aa55/unspecified-4.jpg open circuits revisited - Open Circuits Revisited: Susan Murray and Fred Turner in Conversation - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5fc87a1dbf951e27dc130c1b/57924f0f-c089-4557-8319-42f1e59f424d/unspecified-3.jpg open circuits revisited - Open Circuits Revisited: Susan Murray and Fred Turner in Conversation - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://features.eai.org/open-circuits-revisited/black-boxes-and-open-circuits-by-cass-fino-radin monthly 0.5 2025-12-10 https://images.squarespace-cdn.com/content/v1/5fc87a1dbf951e27dc130c1b/380ccdb6-d53f-471f-aee4-955824104fad/unspecified-5.jpg open circuits revisited - Closed Circuits and Black Boxes: Artistic Responses to Technological Enclosure by Cass Fino-Radin - Make it stand out Nam June Paik, Good Morning Mr. Orwell (1984). https://images.squarespace-cdn.com/content/v1/5fc87a1dbf951e27dc130c1b/23cf7bfd-2deb-4787-b3ab-9c2e64a614cd/unspecified-2.jpg open circuits revisited - Closed Circuits and Black Boxes: Artistic Responses to Technological Enclosure by Cass Fino-Radin - Make it stand out Joseph Beuys, Douglas Davis, and Nam June Paik, Documenta 6 Satellite Telecast (1977). https://images.squarespace-cdn.com/content/v1/5fc87a1dbf951e27dc130c1b/8847e457-bf26-4214-841f-02daa9e1bf59/unspecified-4.jpg open circuits revisited - Closed Circuits and Black Boxes: Artistic Responses to Technological Enclosure by Cass Fino-Radin - Make it stand out Radical Software Group, Prepared Playstation 2 (2003). https://images.squarespace-cdn.com/content/v1/5fc87a1dbf951e27dc130c1b/538f97f2-a64b-486f-9202-69d2c8135c0b/sp-kitchen-6_o.jpg open circuits revisited - Closed Circuits and Black Boxes: Artistic Responses to Technological Enclosure by Cass Fino-Radin - Make it stand out Sondra Perry, Graft and Ash for a Three Monitor Workstation (2016). Installation documentation courtesy of the artist. https://images.squarespace-cdn.com/content/v1/5fc87a1dbf951e27dc130c1b/de6d7796-d410-4c94-bddf-bd46d6eadbbc/laurenmccarthy.jpg open circuits revisited - Closed Circuits and Black Boxes: Artistic Responses to Technological Enclosure by Cass Fino-Radin - Make it stand out LAUREN (2017–Ongoing), Lauren Lee McCarthy. Exhibition view of Unreal Data. Drugo More. Rijeka, Croatia. March 2023. Curated by !Mediengruppe Bitnik. Photo credit: Tanja Kanazir. https://images.squarespace-cdn.com/content/v1/5fc87a1dbf951e27dc130c1b/91742ce8-a561-469b-9097-2725f0c8ddec/unspecified-6.jpg open circuits revisited - Closed Circuits and Black Boxes: Artistic Responses to Technological Enclosure by Cass Fino-Radin - Make it stand out Richard Serra and Carlotta Schoolman, Television Delivers People (1973). https://features.eai.org/open-circuits-revisited/vt-is-not-tv-early-video-art-television-and-the-politics-of-broadcasting-by-kara-carmack monthly 0.5 2025-11-19 https://images.squarespace-cdn.com/content/v1/5fc87a1dbf951e27dc130c1b/a5125e59-f1d8-429a-b97d-0dbac2c57c68/unspecified.jpg open circuits revisited - “VT is not TV”: Early Video Art, Television, and the Politics of Broadcasting by Kara Carmack - Make it stand out Richard Serra and Carlotta Schoolman, Television Delivers People (1973). https://images.squarespace-cdn.com/content/v1/5fc87a1dbf951e27dc130c1b/ac9fa42c-c251-48a5-af93-63ef4e5655d8/vDCnoNH0.jpg open circuits revisited - “VT is not TV”: Early Video Art, Television, and the Politics of Broadcasting by Kara Carmack - Make it stand out Douglas Davis, The Last Nine Minutes (1977), from Documenta 6 Satellite Telecast (1977) with Joseph Beuys, Douglas Davis, and Nam June Paik. https://images.squarespace-cdn.com/content/v1/5fc87a1dbf951e27dc130c1b/20b55775-8dec-4c7a-a011-e0569ae7ac49/Manhattan-Cable-Television.jpg open circuits revisited - “VT is not TV”: Early Video Art, Television, and the Politics of Broadcasting by Kara Carmack - Make it stand out Manhattan Cable TV “Manhattan Eyes” animation on Channel J (ca. mid-1980s). https://images.squarespace-cdn.com/content/v1/5fc87a1dbf951e27dc130c1b/04ca0ffe-6b35-4b28-9fd8-46f2e9b337da/unspecified.png open circuits revisited - “VT is not TV”: Early Video Art, Television, and the Politics of Broadcasting by Kara Carmack - Make it stand out Jaime Davidovich, The Live! Show Promo (1982). https://features.eai.org/open-circuits-revisited/whit-pow-amp-alexander-galloway-error-noise-and-randomness monthly 0.5 2025-01-13 https://features.eai.org/open-circuits-revisited/open-circuits-revisited-hobbyists-to-the-front-by-emma-dickson monthly 0.5 2025-01-13 https://images.squarespace-cdn.com/content/v1/5fc87a1dbf951e27dc130c1b/beaca724-6e5b-4257-8f85-60e9b1060827/Screen+Shot+2024-12-13+at+1.25.04+PM.png open circuits revisited - Hobbyists to the Front by Emma Dickson - Make it stand out Illustration from Videofreex’s Spaghetti City Video Manual (1973), p.32. https://images.squarespace-cdn.com/content/v1/5fc87a1dbf951e27dc130c1b/14a12eb6-8d49-4be1-8f6e-91aa0b5a4d61/Screen+Shot+2024-12-13+at+1.14.08+PM.png open circuits revisited - Hobbyists to the Front by Emma Dickson - Make it stand out Popular Electronics cover image, January 1974. https://images.squarespace-cdn.com/content/v1/5fc87a1dbf951e27dc130c1b/eacd61d9-5678-4eb2-a3c3-43ce86687064/Screen+Shot+2024-12-13+at+1.29.16+PM.png open circuits revisited - Hobbyists to the Front by Emma Dickson - Make it stand out Advertisement in Popular Electronics, January 1974. https://images.squarespace-cdn.com/content/v1/5fc87a1dbf951e27dc130c1b/8ff6eb6b-ff5b-4a57-985f-91e20baf052a/Screen+Shot+2024-12-13+at+1.13.56+PM.png open circuits revisited - Hobbyists to the Front by Emma Dickson - Make it stand out Illustration from Videofreex’s Spaghetti City Video Manual (1973). https://features.eai.org/open-circuits-revisited/the-new-television-video-after-television-introduction-by-tyler-maxin-and-rebecca-cleman monthly 0.5 2024-10-10 https://images.squarespace-cdn.com/content/v1/5fc87a1dbf951e27dc130c1b/0a9034a5-e0bd-477d-8749-a969a4eec8d8/Screen+Shot+2024-10-08+at+5.55.17+PM.png open circuits revisited - The New Television: Video After Television | Introduction by Tyler Maxin and Rebecca Cleman - Make it stand out Centerfold of The New Television: Video After Television (no place press, 2024). On the verso page is the cover of the The New Television: A Public/Private Art (1977), and on the recto page is the cover of the new publication. https://images.squarespace-cdn.com/content/v1/5fc87a1dbf951e27dc130c1b/f82942fb-ee56-4b0d-97a8-11aee9c99752/Screen+Shot+2024-10-09+at+11.39.27+AM.png open circuits revisited - The New Television: Video After Television | Introduction by Tyler Maxin and Rebecca Cleman - Make it stand out Fred Barzyk, “The Yin and Yang of It,” double-channel show broadcast simultaneously on WNET and WNEW, 1967. https://images.squarespace-cdn.com/content/v1/5fc87a1dbf951e27dc130c1b/f583ed75-2f83-4011-9f16-2e630aa029a1/Screen+Shot+2024-10-09+at+4.21.13+PM.png open circuits revisited - The New Television: Video After Television | Introduction by Tyler Maxin and Rebecca Cleman - Make it stand out Michael Shamberg, Raindance Corporation, Guerrilla Television (New York: Holt, Rinehart and Winston, 1971). Book designed by Ant Farm. https://images.squarespace-cdn.com/content/v1/5fc87a1dbf951e27dc130c1b/0180cc0f-f1e9-4850-a656-4f24f82ab3a6/Screen+Shot+2024-10-09+at+11.44.41+AM.png open circuits revisited - The New Television: Video After Television | Introduction by Tyler Maxin and Rebecca Cleman - Make it stand out Fred Barzyk, Douglas Davis, and Gerald O’Grady, exhibition proposal for Open Circuits: Art at the Beginning of the Electronic Age, 1972. Howard Wise Archives, Electronic Arts Intermix (EAI), New York. https://images.squarespace-cdn.com/content/v1/5fc87a1dbf951e27dc130c1b/8f52c269-7edd-4242-84fc-29735fe9b1a0/Screen+Shot+2024-10-09+at+11.56.18+AM.png open circuits revisited - The New Television: Video After Television | Introduction by Tyler Maxin and Rebecca Cleman - Make it stand out “Open Circuits” conference schedule, January 23–24, 1974. Howard Wise Archives, Electronic Arts Intermix (EAI), New York. https://images.squarespace-cdn.com/content/v1/5fc87a1dbf951e27dc130c1b/bda8d60d-adeb-4d31-aec8-c6d8d32fa19e/Screen+Shot+2024-10-09+at+12.01.53+PM.png open circuits revisited - The New Television: Video After Television | Introduction by Tyler Maxin and Rebecca Cleman - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5fc87a1dbf951e27dc130c1b/1af9086e-f47b-4322-b0fb-1f48d458a1ea/2+Intro+4+Spaghetti+City-fpo.jpeg open circuits revisited - The New Television: Video After Television | Introduction by Tyler Maxin and Rebecca Cleman - Make it stand out Videofreex, The Spaghetti City Video Manual (New York: Praeger, 1973). https://images.squarespace-cdn.com/content/v1/5fc87a1dbf951e27dc130c1b/2c99ce1b-e904-453e-99a6-41c9f290dd80/Screen+Shot+2024-10-09+at+12.09.58+PM.png open circuits revisited - The New Television: Video After Television | Introduction by Tyler Maxin and Rebecca Cleman - Make it stand out Allan Kaprow, Hello, from The Medium Is the Medium, 1969, WGBH-TV. https://features.eai.org/about daily 1.0 2024-12-23 https://images.squarespace-cdn.com/content/v1/5fc87a1dbf951e27dc130c1b/1611860582306-KG4BRAMJU09390HNT6XG/EAI_editingfacility.jpg About https://images.squarespace-cdn.com/content/v1/5fc87a1dbf951e27dc130c1b/1611259071721-INZKHYMT9YN92PIRARM4/49204641_10155778351221850_2673958965322186752_n.png About Broadcasting: EAI at ICA, installation view, 2018, Institute of Contemporary Art, University of Pennsylvania (ICA). Photo: Constance Mensh. Image description: Two exhibition-goers watch a video work by Shana Moulton. https://images.squarespace-cdn.com/content/v1/5fc87a1dbf951e27dc130c1b/1612296762199-53QRRXNDP32LYWJJHMD0/1973_10thAAGF_CMoorman_2.jpg About 10th Annual Avant Garde Festival, Charlotte Moorman plays Nam June Paik's Concerto for TV Cello and Videotapes, 1973. Photo: Ivan Spane. Image description: Charlotte Moorman performs Paik’s sculpture, comprised of three stacked television monitors and a string, arranged in the shape of a cello. https://images.squarespace-cdn.com/content/v1/5fc87a1dbf951e27dc130c1b/1612306347684-1BEST7ZTLV5P179TENIH/perry_graftandash.jpg About Sondra Perry, Graft and Ash for a Three Monitor Workstation, 2016. Image description: The artist’s computer-generated face appears in front of an orange, gelatinous surface. https://images.squarespace-cdn.com/content/v1/5fc87a1dbf951e27dc130c1b/1612306869015-M3QDL31W4FOAHGJY55IV/BH_1979.jpg About Barbara Hammer, California, 1979. Photo: Maria Brännström. Image description: Barbara Hammer stands with one hand on her hip and a camera in the other. https://images.squarespace-cdn.com/content/v1/5fc87a1dbf951e27dc130c1b/1612307238109-ZOV955FJ3R1UYVKID1FN/atlas_hail-47.jpg About Charles Atlas, Hail the New Puritan, 1986. Image description: Dancer Michael Clark stands in front of a pink and red polka-dotted wall. https://images.squarespace-cdn.com/content/v1/5fc87a1dbf951e27dc130c1b/1612307944485-TLQ5GL5BBX2FX2535DJY/emshwiller_sunstone-raw2.jpg About Ed Emshwiller, Sunstone, 1979. Image description: A menacing purple orb with a human face in the center of a kaleidoscopic image.