Charlotte Strange Charlotte Strange

Jaime Davidovich’s The Live! Show (June 25, 1982)

This exemplary episode of Jaime Davidovich’s The Live! Show demonstrates the artist’s singular approach to television revue, described by writer Ava Tews as “Dada cabaret, inspired in equal parts by Fluxus and Ernie Kovacs.”

Read More
Charlotte Strange Charlotte Strange

Susan Milano’s document of Back Seat (1978)

Alongside our far-reaching oral history with videomaker Susan Milano, EAI presents a tape documenting the installation of her video environment Taxi (1978), a “nostalgic nod to the last generation of the Brooklyn cabbie.”

Read More
Charlotte Strange Charlotte Strange

EAI at Frieze

On the occasion of Electronic Arts Intermix (EAI)’s 50th anniversary, Frieze has invited the organization to program a series of videos from its collection of over 4,000 titles on monitors throughout the fair.

Read More
Charlotte Strange Charlotte Strange

Barbara Hammer’s My Babushka: Searching Ukrainian Identities (2001)

Barbara Hammer’s My Babushka: Searching for Ukrainian Identities (2001) is a personal video documentary that “centers on the questions of civil liberties and cultural differences in a society beginning to open as one woman searches for her own ethnic roots, identity and family history in Ukraine,” available to view through May 30th.

Read More
Charlotte Strange Charlotte Strange

Raindance’s Media Primer (Shamberg) (1971)

Raindance was an influential media collective founded in 1969. This “media primer” by member Michael Shamberg typifies the group’s vision for guerrilla television, democratized, grassroots media meant to challenge the medium’s commercial interests and structure.

Read More
Charlotte Strange Charlotte Strange

Selected Works from the Computer Art Festivals (1973-75)

The Computer Arts Festival (1973-75) were an early forum showcasing innovations in new media. A selection of 17 film and videos screened in the festival’s three years supplement a pair of panels on the event’s history and resonance.

Read More
Charlotte Strange Charlotte Strange

Zoe Beloff’s The Days of the Commune (2012)

In the wake of Occupy Wall Street, artist Zoe Beloff staged a guerrilla reimagining of Bertolt Brecht’s 1949 play The Days of the Commune, drawing a connection between the late 19th century Paris Commune and contemporary modes of protest. EAI features her film, marking ten years after the dissolution of the Zuccotti Park encampment.

Read More
Charlotte Strange Charlotte Strange

Ant Farm’s Dirty Dishes (1971)

Lori Zippay, Director Emerita of EAI, considers Ant Farm’s Dirty Dishes (1971/2003), a freewheeling early Portapak document with the distinction of being the first video added to EAI’s collection.

Read More
Charlotte Strange Charlotte Strange

The Sound of Rioting: Twelve Notes on Lawrence Andrews

Poet, artist, and curator Anaïs Duplan responds to two works by Lawrence Andrews, discussing the artist’s approach to constructing narrative from "dark noise," the relationship between legality and legibility, and the complexities of communication at large.

Read More
Charlotte Strange Charlotte Strange

Love and Theft: Peggy Ahwesh and Sondra Perry Play Video Games

Peggy Ahwesh’s She Puppet (2001) and Sondra Perry’s IT’S IN THE GAME ‘17 (2017) both take appropriated video game footage as a starting point. Curator Giampaolo Bionconi discusses both titles’ use of the medium, and their respective commentaries on virtuality, identity and theft.

Read More
Charlotte Strange Charlotte Strange

Remembering Tony Martin (1937-2021)

Tony Martin (1937-2021) was a pioneer of installation art, creating sound and light environments that directly implicated the viewer in their design, featured here in conversation with art historian Erin Stout.

Read More